BOTTOM
LINE:
Director Ridley Scott
has delivered another strong, detailed, visual film experience,
this time exploring the gritty operational nature of America's war
on terrorists, with strong performances by Leonardo Dicaprio and
Russell Crowe.
THE GOOD:
"Body Of Lies" explores territory that hasn't
really been covered in any recent big Hollywood films (at least
recently); Ed Hoffman (Russell Crowe) is the man in charge at the
CIA who is executing operations against terrorists remotely from
America, with his contact on the ground in the Middle East, Roger
Ferris (Leonardo Dicaprio) given the task of gathering intelligence
and executing any operations as required. The problem for Ferris
is that Hoffman does not tell him everything he needs to know and
as a result, Ferris' legitimate attempts to draw out informants
and work with local authorities and spy agencies become derailed
by Hoffman's blunt interventions. These countries are all working
together to catch the leader of the terrorists, Al-Saleem (Alon
Abutbul), who is elusive because he never claims credit for his
attacks. What makes this film so engaging, aside from the astute
level of detail afforded in the technology and operations presented,
is the thematic ground this film covers. Hoffman's opening speech
about how the "enemy" has adapted to the new world of
technology by abandoning that technology and then disappearing is
very insightful, least of which being how these terrorists are constantly
able to thwart authorities by not being traceable as they don't
use technology. There is hypocrisy on both sides. The film's first
Act largely deals with Ferris attempting to draw out a man who wants
to come to his side because he does not want to die in a martyrdom
operation. As he says, "once you know too much about the operation,
you are selected for martyrdom." On the flip side, Hoffman
is running operations left, right and centre and clearly does not
trust any one except for his own judgment and use of technology
which ultimately does not work in the Final Act when Ferris, captured
by the terrorists, is rescued by Jordanian security chief Hani (an
excellent Mark Strong) using far more clever, and unsophisticated
techniques. Perhaps the best line in the film which sums all of
what the film is about is given by Hoffman towards the end of the
film: "Why don't you want to stay here? There's nothing in
the Middle East to like!", to which Ferris replies, "There's
the problem right there Ed." Ridley Scott is a master of visuals
and along with the strong content, he has created a very strong
film in "Body Of Lies".
THE
BAD: One of the side stories,
and very clearly designed to make the stakes higher for Ferris' character,
is his association with Iranian nurse Aisha (Golshifteh Farahani).
Ferris, becoming more disillusioned with what he is doing as he goes
along, begins making moves on Aisha and they slowly develop a relationship.
Later, when Aisha is kidnapped by the terrorists to draw out Ferris,
the entire last third of the film and the resulting capture of Al-Saleem
all hinges on Ferris' drive to save her. Given how good an agent Ferris
is, it seemed a little dumb for him to allow himself to be captured
when he knew they would not keep their word. The 'love' story angle
(for the lack of a better description) is contrived, and unfortunately,
it's integral to the unfolding of the plot. Also, given the potential
for conflict between Hoffman and Ferris, not enough is really done
to flesh out that combative relationship. They bicker, but that's
about it. Overall, the film has many strengths but these weaknesses
do detract from an otherwise excellent film.
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