BOTTOM
LINE: The action
is well staged, the one-liners are prevalent, and the film is overall
very entertaining but one cannot help shake the fact that this entry
in the “Die Hard” franchise is at best a pale imitation
of its predecessors, from Bruce Willis down.
THE GOOD:
The “Die Hard” series has been known for
delivering some great action sequences along with its trademark
cowboy humour and in this respect, this fourth entry does not disappoint.
Again relying on a strong concept, John McClane (a weary looking
Bruce Willis) takes on a group of cyber terrorists who take control
of America through hacking all of its critical computer infrastructure.
As before, the terrorists are well financed and very slick, led
by a very cold Thomas Gabriel (Timothy Olyphant) who manages to
shut down Washington DC with a few keystrokes. Of course, he was
not counting on McClane showing up to spoil the party. While en
route to pick up computer hacker Matt Farrell (Justin Long), McClane
gets caught in the middle of the terrorists’ plot and it is
not long before it is up to McClane to take them down. This film
contains some brilliantly staged action, with even the CG moments
looking quite real in most respects. The film still delivers on
its trademark action and one-liners, and at times, the film does
echo the fun moments from the previous films as McClane dispatches
each of the terrorists one by one. “Die Hard 4” is a
decent entry in the franchise, and by itself, a very good action
film that will entertain most fans of the genre.
THE BAD:
“Die Hard 4” feels like
an echo of the previous films. You are reminded of what franchise
it is through a moment here or there, but overall, it feels a little
bland and distant, even generic. John McClane was typically a very
energetic character, who swore his head off and served as a fantastic
foil for the bad guys but Bruce Willis does not look like he cares
that much this time, playing McClane very low key; the theatrical
release was even worse as all the swearing was cut out to avoid
an R rating! As a result, you do not get that buzz or high you would
have got from the previous films. It may be that this type of film
belongs to a different era, when terrorism could be more jovially
played in cinema, or maybe that with three previous films, the “Die
Hard” franchise has grown old hat, particularly with the multitude
of action clones that have been made since. “Die Hard 4”
is an echo; a pale imitation of its predecessors. Enjoyable? Yes.
Memorable? Hardly.