BOTTOM
LINE:
Director Ridley Scott
has delivered another strong, detailed, visual film experience,
this time exploring the gritty operational nature of America's war
on terrorists, with strong performances by Leonardo Dicaprio and
Russell Crowe.
THE
GOOD: "Body
Of Lies" explores territory that hasn't really been covered
in any recent big Hollywood films (at least recently); Ed Hoffman
(Russell Crowe) is the man in charge at the CIA who is executing
operations against terrorists remotely from America, with his contact
on the ground in the Middle East, Roger Ferris (Leonardo Dicaprio)
given the task of gathering intelligence and executing any operations
as required. The problem for Ferris is that Hoffman does not tell
him everything he needs to know and as a result, Ferris' legitimate
attempts to draw out informants and work with local authorities
and spy agencies become derailed by Hoffman's blunt interventions.
These countries are all working together to catch the leader of
the terrorists, Al-Saleem (Alon Abutbul), who is elusive because
he never claims credit for his attacks. What makes this film so
engaging, aside from the astute level of detail afforded in the
technology and operations presented, is the thematic ground this
film covers. Hoffman's opening speech about how the "enemy"
has adapted to the new world of technology by abandoning that technology
and then disappearing is very insightful, least of which being how
these terrorists are constantly able to thwart authorities by not
being traceable as they don't use technology. There is hypocrisy
on both sides. The film's first Act largely deals with Ferris attempting
to draw out a man who wants to come to his side because he does
not want to die in a martyrdom operation. As he says, "once
you know too much about the operation, you are selected for martyrdom."
On the flip side, Hoffman is running operations left, right and
centre and clearly does not trust any one except for his own judgment
and use of technology which ultimately does not work in the Final
Act when Ferris, captured by the terrorists, is rescued by Jordanian
security chief Hani (an excellent Mark Strong) using far more clever,
and unsophisticated techniques. Perhaps the best line in the film
which sums all of what the film is about is given by Hoffman towards
the end of the film: "Why don't you want to stay here? There's
nothing in the Middle East to like!", to which Ferris replies,
"There's the problem right there Ed." Ridley Scott is
a master of visuals and along with the strong content, he has created
a very strong film in "Body Of Lies".
THE
BAD: One of the side
stories, and very clearly designed to make the stakes higher for Ferris'
character, is his association with Iranian nurse Aisha (Golshifteh
Farahani). Ferris, becoming more disillusioned with what he is doing
as he goes along, begins making moves on Aisha and they slowly develop
a relationship. Later, when Aisha is kidnapped by the terrorists to
draw out Ferris, the entire last third of the film and the resulting
capture of Al-Saleem all hinges on Ferris' drive to save her. Given
how good an agent Ferris is, it seemed a little dumb for him to allow
himself to be captured when he knew they would not keep their word.
The 'love' story angle (for the lack of a better description) is contrived,
and unfortunately, it's integral to the unfolding of the plot. Also,
given the potential for conflict between Hoffman and Ferris, not enough
is really done to flesh out that combative relationship. They bicker,
but that's about it. Overall, the film has many strengths but these
weaknesses do detract from an otherwise excellent film.
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