BOTTOM
LINE:
The action is well
staged, the one-liners are prevalent, and the film is overall very
entertaining but one cannot help shake the fact that this entry
in the “Die Hard” franchise is at best a pale imitation
of its predecessors, from Bruce Willis down.
THE
GOOD: The “Die
Hard” series has been known for delivering some great action
sequences along with its trademark cowboy humour and in this respect,
this fourth entry does not disappoint. Again relying on a strong
concept, John McClane (a weary looking Bruce Willis) takes on a
group of cyber terrorists who take control of America through hacking
all of its critical computer infrastructure. As before, the terrorists
are well financed and very slick, led by a very cold Thomas Gabriel
(Timothy Olyphant) who manages to shut down Washington DC with a
few keystrokes. Of course, he was not counting on McClane showing
up to spoil the party. While en route to pick up computer hacker
Matt Farrell (Justin Long), McClane gets caught in the middle of
the terrorists’ plot and it is not long before it is up to
McClane to take them down. This film contains some brilliantly staged
action, with even the CG moments looking quite real in most respects.
The film still delivers on its trademark action and one-liners,
and at times, the film does echo the fun moments from the previous
films as McClane dispatches each of the terrorists one by one. “Die
Hard 4” is a decent entry in the franchise, and by itself,
a very good action film that will entertain most fans of the genre.
THE
BAD: “Die Hard
4” feels like an echo of the previous films. You are reminded
of what franchise it is through a moment here or there, but overall,
it feels a little bland and distant, even generic. John McClane was
typically a very energetic character, who swore his head off and served
as a fantastic foil for the bad guys but Bruce Willis does not look
like he cares that much this time, playing McClane very low key; the
theatrical release was even worse as all the swearing was cut out
to avoid an R rating! As a result, you do not get that buzz or high
you would have got from the previous films. It may be that this type
of film belongs to a different era, when terrorism could be more jovially
played in cinema, or maybe that with three previous films, the “Die
Hard” franchise has grown old hat, particularly with the multitude
of action clones that have been made since. “Die Hard 4”
is an echo; a pale imitation of its predecessors. Enjoyable? Yes.
Memorable? Hardly.