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HOME PAGE ------- FILM REVIEWS
PAUL (2011)
Directed by Greg Mottola -- Starring Simon Pegg, Nick Frost, Seth Rogen
Film Review by Todd Murphy
RATING: 8/10

BOTTOM LINE: Proving to be extremely funny, “Paul” is a well executed comedy that makes great use of all the alien and UFO mythologies, as well as old Spielberg films, to produce a fun ride with characters that are enjoyable to watch.

THE GOOD: Graeme (Simon Pegg) and Clive (Nick Frost) are two sci-fi geeks who attend Comic-Con and then go on a road trip across America to visit all the well known UFO hot spots. During their journey, they inadvertently take on a passenger, the sarcastic, but well meaning alien “Paul” (voiced by Seth Rogen), who is looking to go home and avoid capture by the men in black. This sets the scene for a number of very funny set pieces as the trio voyage across America with the government suits in pursuit. Simon Pegg and Nick Frost are excellent in the leads, and in many ways add a different flavour to the film being English. The sardonic and dry wit that they impart through their characters give the film an added dimension. The standout character of course is “Paul”, both in the computer animation that brought him to life and the hilarious voice work imparted by Seth Rogen. What makes it so funny is that Paul has picked up so many human habits, and appears better at them than the humans in the story, from witty swearing to smoking joints. There are a lot of nice touches such as Paul’s flashback to when he advised Steven Spielberg on how best to portrays aliens in E.T. and Close Encounters of the Third Kind, to the typical red-neck characters that try to intimidate the ‘queer’ geeks but get frightened by Paul’s threat of probing, to the rip-off of the ending of E.T. and the awkward moment it generates when the spaceship takes too long to take off. “Paul” is a very funny and smart sci-fi comedy that hits the right marks when needed.

THE BAD: There is not a lot to fault in this film, other than it does not quite have the scope to deliver a larger canvas with its story. It still remains firmly in B-grade territory, despite the fact that so many elements of this film are screaming A-grade. This is certainly not a bad thing as this does not impact too much on the overall enjoyment of the film, and is only a minor criticism.
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