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HOME PAGE ------- FILM REVIEWS
RISE OF THE PLANET OF THE APES (2011)
Directed by Rupert Wyatt -- Starring James Franco, Freida Pinto, Andy Serkis, John Lithgow, Brian Cox, Tom Felton
Film Review by Todd Murphy
RATING: 8/10

BOTTOM LINE: This reboot of the classic franchise is a triumph of story and character, particularly with the creation of each individual ape as a character; the film is only let down by its underwritten human characters which in turn lead to uninspired performances by the cast.

THE GOOD: The original “Planet of the Apes” film was a watershed in science-fiction movies back in the 60s and unfortunately, none of the other sequels, and in particular, the horrid Tim-Burton remake in 2001 have come close to capturing the spirit of the film. Along comes “Rise Of The Planet Of The Apes”, which despite a few flaws, is as close as you are going to get to a great “Planet Of The Apes” film. Will Rodman (James Franco) is working on a cure for Alzheimer’s Disease by testing chimpanzees with a genetically engineered virus. After an early incident which shuts down his work, Rodman discovers a baby chimp he names Caesar (Andy Serkis), who has developed heightened intelligence thanks to his now dead mother’s response to the virus. At home, with Will working on the virus in secret, Caesar develops radically until a key incident leads him to be incarcerated in a cruel facility with other apes, separated from Will. At this point, Caesar’s life changes forever as he leads an ape rebellion. The key to what makes this film work so well is the attention paid to developing the ape characters, starting with ‘Caesar’, who is brought to life by some incredible digital animation and Andy Serkis’ powerful motion capture performance. Together, Caesar becomes a very strong character, and his development throughout the film from smart baby chimp to the leader of an ape rebellion are compelling to watch. A great character moment occurs when Caesar speaks for the first time; it resonates with powerful dramatic intensity and gives you a proper window in to the plight of these ape characters. The other apes in the film are likewise given a great deal of attention, to the point where they all resonate as individual characters, and they are all give important dramatic moments. The scenario depicted in the film is ultimately down-beat, with humans falling victim to the virus while the apes gain strength and intelligence from it. This is an amazing conceit in a big budget Hollywood film which would have normally depicted something more ‘happy’. “Rise Of The Planet Of The Apes” is a very entertaining film, with a good story and great characters that try to give you some ideas upon which to ponder within its action-suspense narrative.

THE BAD: For all the work done fleshing out the characters of the apes, the human characters were unfortunately not extended the same courtesy. James Franco seems oddly miscast in this film, and his one-note performance pales in comparison to Andy Serkis’ work with Caesar (and the digital animation team that brought him to life), and in some cases brings it down when Caesar has some powerful emotional moments but Franco is unable to be in the moment with him. Other characters are laughable, such as Tom Felton’s sadistic character ‘Dodge’ who takes a trademark line from the 1968 original film and totally destroys it; thankfully it is forgotten a second later when Caesar responds with his first word and recomposes the drama. The facility where the virus is being worked on seems to have no security protecting it with the apes over-running it in seconds; an illogical idea for such a facility. The change of heart of Will’s boss Steven Jacobs (David Oyelowo) from being dead-set against the development of the virus to green-lighting it for the second time is totally arbitrary, swinging on Will’s word in the space of only a minute (which is hardly believable). All in all, if these details had been addressed and thought through better, this film would have been classic. Instead, we have a very strong film let down by a few fundamental flaws.
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