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HOME PAGE ------- FILM REVIEWS
THE UNINVITED (2009)
Directed by The Guard Brothers -- Starring Emily Browning, Arielle Kebbel, Elizabeth Banks, David Strathairn
Film Review by Todd Murphy
RATING: 5/10

BOTTOM LINE: The film has some good atmospheric moments, but it relies on stereotypical conventions that do not gel well at all with the overall story, all despite an ending which almost makes up for that unevenness.

THE GOOD: The film starts with lead character Anna (Browning) telling her psychiatrist about a recurring dream she is having. Needless to say, it is spooky. On advice from her psychiatrist, she returns home for the first time in many months after a tragic explosion at her home killed her mother. She reunites with her sister Alex (Kebbel), and the pair are jointly upset with their father Steven (Strathairn) and his new relationship with Rachel (Elizabeth Banks), who was her mother’s live-in nurse when she was sick. Events start to spiral out of control after the sisters discover that Rachel is not who she says she is and starts becoming much more nasty and violent. The film offers some good atmospheric moments, particularly with Anna’s visions, and the cast are very good, particularly Elizabeth Banks who effectively portrays a menacing and manipulative character. The film moves through some interesting plot twists, but perhaps the film is mostly boosted by its ending, which you cannot really say is a twist, but it definitely casts a whole different light on what you are seeing and makes complete sense. “The Uninvited” is a different take on the usual horror film, and does a decent enough job of supplying the scares and offering an insight in to madness.

THE BAD: The filmmakers never get the tone right for this film. Relying on many clichés and stereotypes inherent to the genre, it seems to be leading you to a more supernatural conclusion, particularly in the opening scares, but then clumsily moves to something else entirely as the narrative progressives. As a result, the film never really satisfies, and it is only in watching the ending that everything starts to make sense; but even this feels more like its been tacked on as an afterthought. There is no build or suspension of disbelief in the story that will inevitably lead to this conclusion. The explanation is quickly brushed over, and the final shots, although creepy and different from a narrative perspective, seem altogether unbelievable and silly.
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