BOTTOM
LINE:
Formulaic thriller
that destroys an interesting plot by meandering through cliché
after cliché at a pedestrian pace without ever generating
any suspense.
THE
GOOD: The concept
is great. A sadistic serial killer begins broadcasting his grisly
work to the world via his untraceable website killforme.com. After
trapping his victims, he straps them into some very inventive and
frightening death contraptions and then starts live streaming on
the web. Ingeniously all his death machines are only designed to
kill the victim as the website traffic increases. The more hits
the site receives, the faster and more horribly the victim will
die at the hands of the internet’s seemingly unlimited voyueristic
audience. In a macabre twist this only attracts more viewers and
raises some very interesting moral questions about exploitation
sites on the internet. Diane Lane as FBI Cybercrime agent Jennifer
Marsh plays her role perfectly, balancing Marsh’s professional
demanour with a nicely human touch. Its just unfortunate that the
script is so poor her performance can’t save the film. Likewise
her supporting cast Billy Burke, Colin Hanks and Joseph Cross all
put in decent efforts, but they too suffer at the hands of a script
that never gives any of its characters a chance to shine.
THE
BAD: The problem with
a manufactured script is that it will start with a good idea and then
systematically destroy it by trying too hard. In this case, instead
of us watching a film about FBI Agent Jennifer Marsh on the trail
of a serial killer, we’re watching a a film that tries to generate
its suspense by checking all the cliché boxes. The characters
are all completely contrived and their motivations are purely script
based, making them one dimensional and unbelievable. In fact not only
does the lip-reading agent (never actually introduced but appearing
in several scenes), have no reason to be in the film, the same could
be said about the entire supporting cast. Detective Box who must get
40 minutes of screen time seems to to fulfil no purpose except to
offer a single obscure idea that somehow explains the serial killer’s
unconvincing MO. Likewise Agent Griffen Dowd who works closely alongside
Jennifer never actually participates in solving the crime except to
exclude himself from suspicion when he falls victim to the killer.
Could the killer be one of Jennifer’s colleagues? Will the killer
go for one of Jennifer’s family? Who’s going to be next?
Who cares? This film packs no punches, no shocks and no surprises
- my advice is to give it a miss. There is only one Silence of the
Lambs, get it on DVD and watch it again. You’ll enjoy it far
more than Untraceable no matter how many times you’ve already
seen it.